Italian artist managed to do what no other, sell an invisible sculpture for about $18,000. There's some meaning behind his 'work.'
Let's do an imagination exercise. Close your eyes and imagine that in front of you is now placed a spectacular sculpture, with beautiful textures and the colors that you like the most. The shapes are determined by your mind, what do you see, is it a person, an animal, or something indescribable? Whatever the result, it is beautiful and floods your senses with a sense of tranquility. Now it's time to open your eyes (hypothetically, of course), the sculpture is simply gone, and it's not that it doesn't exist, you saw it yourself, the point is that it is invisible. This is the concept behind the work of Italian artist Salvatore Garau, except that he has auctioned his prized invisible sculpture for $18,000.
For as long as conceptual art has existed, its essence has flooded the minds of critics who question whether what is appreciated is really the art and has caused controversy across the globe. But after a history of works loved by many and rejected by many others, conceptual art has now reached its peak thanks to Salvatore Garau.
A space full of energy
The 67-year-old Italian artist has just achieved what no artist has ever achieved before, he sold an invisible sculpture for 15 thousand euros (about 18 thousand dollars). The work titled Io sono (I am) is immaterial. According to Garau himself, the sculpture is constructed of "air and spirit," so it could not be said to be mere 'nothing,' since "emptiness is space full of energy." In this sense, his work, rather than the banal non-existence of matter, is "energy that is condensed and transformed into particles. That is, in us," explains the artist.
Initially, the auction house Art-Rite had valued the work between 6,000 and 9,000 euros. However, as the auction progressed, the buyers raised its value to 15,000 euros. The buyer took home an invisible sculpture and a certificate of authenticity. As well as for instructions from the artist himself to place the work of art. The piece, according to its creator, should be installed in a private home, in a space of 1.50 x 1.50 meters.
But this is not the first invisible sculpture that the Italian artist has exhibited in art galleries. Previously Garau had already installed invisible works in Milan's emblematic Piazza Della Scala. There, he installed Buddha in Contemplation, framed by a picture of masking tape drawn on the ground. And in New York, in front of the Stock Exchange, he also placed Aphrodite Weeping. He hasn't had major inconveniences to exhibit his works around the world. The greatest benefit of these artworks is the fact that they are invisible; thus, he does not have to have permits to do so.
Garau, argues that his sculptures do exist, the thing is that they live in the imagination of their viewers. With this concept, he shows us that conceptual art is reaching its peak. Although whether or not this juncture is beneficial to the aesthetic experience is up to each viewer to decide. In the end, that is what art is all about, discovering the feelings that a work of art awakens in us, positive or negative, that is up to each one of us.
Text and photos courtesy of Ecoosfera
Translated by María Isabel Carrasco Cara Chards